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Greyscale Halftone Film 300 x 450

Greyscale Halftone Film 300 x 450

Greyscale Halftone Film 500 x 600

Greyscale Halftone Film 500 x 600

Greyscale Halftone Film 700 x 800

GB £446.00

HALFTONE GREYSCALE FILM
710mm x 810mm x 0.18mm
Maximum Image: 690 x 790mm

 

Availability:
In stock
SKU
GreyscaleFilm3228

Maximum 200 characters

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This is a polyester photographic film greyscale , created using a halftone effect that is often used in printing technologies. Available upto 1000 lpi, with pixels down to 6um. it is ideal for graphics type of work, with large areas of varying tones of grey.

A greyscale halftone image is one where each pixel in the image represents a different rate of grey intensity. The general consensus is to use a range where 0% - totally clear and 100% is totally black. Our process is a binary one, whereby we can only image "black" pixels on clear film, so we cannot create a normal greyscale image as defined by "photography". However, we have a solution that works in the vast majority of cases, and that is pixelation or dithering to create a halftone.

By creating a halftone -  part of the process is to make the pixel that creates the "grey" smaller than the lens (or eye) can resolve. In this manner, the lens will just see an overall grey tone rather than individual pixels. The halftone process uses dots of differing sizes (pulse-width modulation) and spacing (frequency modulation) to build up that image.

 

 

PIXEL AND RESOLUTION 

The resolution of a halftone screen is measured in Lines_per_inch (lpi). This is the number of lines of dots in one inch, known as the screen ruling, The higher the pixel resolution of a source file, the greater the detail that can be reproduced. We have 4 standard resolutions that can be chosen, although you are free to choose any resolution LPI if you need a specific spatial frequency.  For reference, a typical laser printer will print greytones at 65 LPI, and high quality professional book printing would be 150 LPI.

Below are guides to pixel sizes dependant on the resolution chosen. At 1000 LPI resolution, a 20% grey tone would be made up with a 13um black pixel on a clear background, where  a 90% tone would be made up of a 6um clear pixel in a black area.

Resolution Dot Size um @ 10% Dot Size um @ 20% Dot Size um @ 50% Dot Size um @ 70% Dot Size um @ 90%
250  LPI 36 dark 50 dark 72 62 clear 36 clear
500  LPI

18 dark

25 dark 36 31 clear 18 clear
750  LPI

12 dark

16 dark 25 20 clear 12 clear
1000 LPI 6 dark 13 dark 18 14 clear 6 clear

 

 

CAD FORMAT

Please tell us what format you will be sending. Data formats listed above are only a small section of what is available. If your chosen format is not listed, please contact us for further information and clarification. We are also able to provide a full drafting service whereby we can create your designs from drawings and descriptions.

 

Film Polarity POLARITY

Films are normally referred to as Clearfield (positive) &  Darkfield (negative)

Positive means that the data you have supplied Black on the film, with the background being clear film.

Negative is the opposite of this, where the image supplied will be inversed and the picture will be clear and the background will be black.

 

 

PRODUCTION SCHEDULE

Our standard production turnaround is 4 days from receipt of the artwork, purchase order and related documents. We generally send checkplots with every order, and it is vital that these are replied to within a short delay in order that we can meet the schedule required. The production schedule assumes the original data package is correct and does not need to undergo revisions or changes. For large volume orders, or large photomasks on high resolutions, please enquire before ordering premium services.


Standard (4 days) :
   This is our standard service, and whilst we get 99% of orders shipped within this period, these are guidelines only and may change in periods of high demand. Where data packages are good, and all paperwork is completed promptly, we can often ship early.  

Premium (2 Days ) :   A premium service. A complete manufacturing package (data/instructions/order) must be with us by no later than 11.00am.

 

INSPECTION

All photomasks are subject to a rigorous inspection process, regardless of the selected inspection class. Critical parameters such as CD (Critical Dimension) size and uniformity are measured and recorded internally. High-magnification images are captured using Nikon MM40 (900×) and OGP ZIP 300 (400×) systems, and stored with our production records. In some industries—particularly medical or automotive—additional inspection documentation may be required for compliance with quality systems. You can select the level of documentation to be provided with your order. 


Standard:
Full inspection performed; no documentation issued.

Certificate of Conformance: Printed certificate confirming compliance with inspection criteria.

Certificate of Measurement: Verifies up to 10 user-defined dimensions against specified tolerances. A CAD file or drawing must be provided indicating the positions to be measured. Additional measurements available on request.

 

CHECKPLOT

Before production, we supply a checkplot—an essential part of our approval workflow. This checkplot is a high resolution PDF graphic, emailed to you for review. It provides an overview of the design layout, helping you confirm pattern alignment, feature placement, and polarity. However, it is a rasterised image and not suitable for verifying precise dimensions.

 

For critical designs where dimensional accuracy must be confirmed at the CAD level, we recommend using our online CAD checkplot viewer. This platform allows you to inspect your design using vector data, ensuring that features such as linewidth and spacing match your expectations. You can zoom in to inspect fine details, toggle layers, and therefore compare your submitted file against our interpreted version.

 

Checkplot approval is mandatory before manufacturing begins. No production will start until confirmation is received. Ensure that your review includes polarity, reading direction, and any reference markers required by your process.

 

For more details, see our Checkplot Information Page.

 

YOUR DRAWING NUMBER

Please let us know the CAD file name / number so that we can tie together the uploaded data and the order.

 

NOTES

Here you can inform us of any other requirements or specifications regarding the order.

 

Please see the TECHNICAL sections, DOWNLOAD sections and FAQ for further information. If you still require clarification, please either email or click for LIVE SUPPORT.

More Information
Specification
FAQ

FAQ's

 

Q: What is the difference between halftone and dithering? 
A: Halftone uses regularly spaced dots of varying size to represent different grey levels. Dithering, by contrast, relies on a scattered arrangement of uniform dots to simulate greyscale. Halftone generally produces more consistent and predictable results, especially for optical and calibration purposes.

Q: What is the smallest feature that you can do? 
A: This depends upon the resolution that we image at, the material that we use, the tone of the film, and most importantly the feature type (Spot, square, line etc). This all makes it very hard to give a figure, but as a very rough guide we can make down to 8µm.

Q: What resolution should I pick? 
A: Always choose the lowest resolution that your camera or vision system cannot detect as pixelated. This is important for two key reasons. First, lower resolution reduces file size, which is particularly beneficial for large-format films where data handling and processing speed become critical. Second, every pixel has a manufacturing tolerance. With larger pixels (i.e., lower resolution), the absolute size deviation represents a smaller percentage of the total pixel size. This results in more accurate modulation of grey tone levels, making the final greyscale image more stable and consistent across the film.

Q: How many grey levels can you produce? 
A: Our standard halftone process can represent up to 16 grey levels, depending on the resolution and dot spacing used.

Q: Can these be used in camera or vision system calibration? 
A: Yes. Halftone greyscale targets are commonly used to evaluate dynamic range, contrast linearity, edge detection, and resolution performance in machine vision and optical systems.

Q: Can I customise the greyscale ramp or pattern layout? 
A: Yes. We support fully custom designs, including variable grey ramps, regional grey distributions, and alternate geometries. Please contact us to discuss your specifications.

Q: What materials are available? 
A: Most greyscale halftone patterns are produced on silver halide film or polyester base. Glass-based versions are available on request but may have different lead times.

Q: Are all halftone dots circular? 
A: Standard halftone dots are circular to ensure isotropic response, but custom dot shapes—such as elliptical or line-based—can be produced depending on application needs.

Downloads

 

PDF Download

How To Order Photomasks

 

 

 

PDF Download

Quality Assurance Certificate

 

FAQ's

 

Q: What is the difference between halftone and dithering? 
A: Halftone uses regularly spaced dots of varying size to represent different grey levels. Dithering, by contrast, relies on a scattered arrangement of uniform dots to simulate greyscale. Halftone generally produces more consistent and predictable results, especially for optical and calibration purposes.

Q: What is the smallest feature that you can do? 
A: This depends upon the resolution that we image at, the material that we use, the tone of the film, and most importantly the feature type (Spot, square, line etc). This all makes it very hard to give a figure, but as a very rough guide we can make down to 8µm.

Q: What resolution should I pick? 
A: Always choose the lowest resolution that your camera or vision system cannot detect as pixelated. This is important for two key reasons. First, lower resolution reduces file size, which is particularly beneficial for large-format films where data handling and processing speed become critical. Second, every pixel has a manufacturing tolerance. With larger pixels (i.e., lower resolution), the absolute size deviation represents a smaller percentage of the total pixel size. This results in more accurate modulation of grey tone levels, making the final greyscale image more stable and consistent across the film.

Q: How many grey levels can you produce? 
A: Our standard halftone process can represent up to 16 grey levels, depending on the resolution and dot spacing used.

Q: Can these be used in camera or vision system calibration? 
A: Yes. Halftone greyscale targets are commonly used to evaluate dynamic range, contrast linearity, edge detection, and resolution performance in machine vision and optical systems.

Q: Can I customise the greyscale ramp or pattern layout? 
A: Yes. We support fully custom designs, including variable grey ramps, regional grey distributions, and alternate geometries. Please contact us to discuss your specifications.

Q: What materials are available? 
A: Most greyscale halftone patterns are produced on silver halide film or polyester base. Glass-based versions are available on request but may have different lead times.

Q: Are all halftone dots circular? 
A: Standard halftone dots are circular to ensure isotropic response, but custom dot shapes—such as elliptical or line-based—can be produced depending on application needs.

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